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Forbes interviews Yushi Li on the male nude

 

Yushi Li, The Feast, 2020.

“The male nude was the ideal and principal subject in art in ancient Greece and early renaissance art, since the early 19th century, the female nude started becoming the most prevalent subject in art. Unlike the male nude, which is often perceived as an autonomous subject, the female nude is normally presented in a passive way. I think in my work, I try to present men in a different way to question this masculine and feminine opposition, and cast the gaze onto the male body, which can be equally eroticized and desired as the female body.” Yushi Li.

Yushi Li’s work is currently in the seminal exhibition Nude at Fotografiska in New york.

Yushi Li, The Feast, outside
£885.00

The Feast, outside

2020

Analogue, hand printed, signed by artist on verso UNFRAMED

Image size: 25.7cmHx32.7cmW

Print size: 30.5cmHx38.2cmW

Edition of 30

Li’s image The Nightmare is strikingly similar to Allen Jones’s 1969 sculpture Table, in which a female mannequin is bent over and used as a seat – a pointed reference to the casual use of female bodies for the benefit of a male artist? Yushi Li says “I am both the violator who tries to invade their private space and also the desiring object who participates in their vulnerability”.

Yushi Li, The Nightmare
£7,500.00

The Nightmare

2019

Hand printed c-type print UNFRAMED

Image Size: 106cmHx127cmW

Print Size: 106cmHx127cmW

Edition of 3

Read the full article by Grace Banks here.

Yushi Li, The Dream of the Fisherwoman
£550.00

The Dream of the Fisherwoman

2018

Analogue c-print UNFRAMED

Image size: 25cmHx30cmW

Print size: 35cmHx40cmW

Edition of 30

Yushi Li, The Artist Portrait (Collector)
£500.00

The Artist Portrait (Collector)

2019

C-type print

Image Size: 10cmH x 13cmW

Print Size: 15cmH x 20cmW

Edition    / 15

 
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