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Hi-Noon Books is a new publishing initiative that celebrates and explores the spirit of dialogue, discourse, and shared inquiry that characterises artistic communities around the world. 

Our inaugural publication, Found in Translation is a collaboration between the London College of Communication, UAL and Nihon University, Tokyo. Representing the culmination of a seven month creative exchange that launched at T3 Festival of Photography, Tokyo, the artists’ visual work is contextualised by new essays from writers Darian Leader, Peter Lewis, Lee Mackinnon and Sasha Portis.

Our motivation in setting up Hi-Noon Books is to advocate for the transformative potential of artistic practice. Each new publication aims to foster connections, sustain creative communities, and generate new ways of seeing.

 

Hi-Noon Books - a new publishing initiative that celebrates and explores the spirit of dialogue, discourse, and shared inquiry that characterises artistic communities around the world.  With each new publication we aim to foster connections, sustain creative communities, and generate new ways of seeing.

 

The Curious Moaning of Kenfig Burrows

The Curious Moaning of Kenfig Burrows

£30.00

Sophy Rickett

210 x 290 mm, 80 pages, 41 duotone images, hardback clothbound, foil debossed, 2019

ISBN 978-1-910401-30-9

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+ About the book

The Curious Moaning of Kenfig Burrowsby artist Sophy Rickett, is inspired by the life and work of Thereza Dillwyn Llewelyn, a little-known Welsh artist and astronomer active at the end of the 19th Century. Through photography and text, Rickett charts her journey towards making sense of the Dillwyn Llewelyn family sprawling and complex archive.

The story of Thereza was the starting point for the project. However, right from the start, the objectivity of Rickett’s ‘investigation’ is corrupted by an idiosyncratic approach, where findings from original research conducted at the British Library are combined with chance encounters, subjective associations and miscommunication. Rickett attempts to establish links between the Dillwyn Llewelyn’s remote world of Victorian privilege, their use of photography, and her own experience of life, work and photography, in 21st Century Britain.

The project consists of 41 photographic works, combining images made at locations on the Gower Peninsula associated with Thereza Dillwyn Llewelyn’s life, studio based works, and other found images. In the text, historically accurate anecdote is combined with a strong sense of the author’s own voice. Various histories of Thereza Dillwyn Llewelyn, an early female photographic pioneer, emerge, as well as the structures through which she developed her practice.

In the book, Rickett develops her interest in archival practices and how the heritage industry functions, by staging certain entry points through which the past is made visible. Moving between photography and text, she explores the limits of these points, understanding the place where a trail goes cold – such as the denial of access, the withholding of permission - as being productive and generative in itself.

Published by Gost Books