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hi-noon books

Hi-Noon Books is a new publishing initiative that celebrates and explores the spirit of dialogue, discourse, and shared inquiry that characterises artistic communities around the world. 

Our inaugural publication, Found in Translation is a collaboration between the London College of Communication, UAL and Nihon University, Tokyo. Representing the culmination of a seven month creative exchange that launched at T3 Festival of Photography, Tokyo, the artists’ visual work is contextualised by new essays from writers Darian Leader, Peter Lewis, Lee Mackinnon and Sasha Portis.

Our motivation in setting up Hi-Noon Books is to advocate for the transformative potential of artistic practice. Each new publication aims to foster connections, sustain creative communities, and generate new ways of seeing.

 

Hi-Noon Books - a new publishing initiative that celebrates and explores the spirit of dialogue, discourse, and shared inquiry that characterises artistic communities around the world.  With each new publication we aim to foster connections, sustain creative communities, and generate new ways of seeing.

 

The Possessed Hands Of Bill

The Possessed Hands Of Bill

£18.00

Ozziline Bill & Brenna Horrox

130mm x 210mm, 108 pages, full colour digital printing throughout, perfect bound, softcover with foil type, 2020.

ISBN 978-1-78972-796-8

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+ About the book

A photographic collection of hands taken between 2016 and 2019 across London, Berlin and Denver by Ozziline Bill.

The subject matter of strangers’ hands and haptic gestures, considers the narratives constructed out of mundane, day-to-day transactions, whilst reflecting on the compulsive activity of Ozziline Bill’s own hands taking the photographs.

The images are supported by introspective monologues in six chapters by editor and co-curator Brenna Horrox.

Evolved with and printed by Folium Publishing, The Possessed Hands of Bill is presented as a hand sized book.

Designed by Numbered Editions, the bespoke ‘hand gesture’ typeface on the front cover captures our tactile imagination and is reflective of the hands within.

In the current climate the focus of hands is particularly interesting. The photographs within The Possessed Hands of Bill become an archive for the 'old world' of frequent haptic meetings with strangers. Simultaneously offering an alternative proposition of experiencing touch through images and words that arouse our tactile imagination.